Production Art Director Joanna Wang reveals how Atsu’s design, the infamous Yōtei Six, and the world of Ezo were all built to tell a visual story of vengeance and survival. This is how Sucker Punch crafts meaning through colour, silhouette, and space. The world of Ghost of Yōtei  is a visual masterpiece, a land of beauty and brutality. None of it is accidental. Every line, colour, and silhouette is a deliberate choice. To uncover how this world was shaped, Cutscene Collective

Watch never-before-shared insights from my 2020 conversation with The Last Of US director Neil Druckmann about artistic freedom, as I explore the biggest question in modern storytelling: who controls the narrative—creators or fans? "And we didn't make the traditional sequel, I think, that a lot of people expected. And some people loved that and some people kind of had a hard time with it." - Neil Druckmann, Director, The Last Of Us. Five years later, The Last of Us Part 2 rem